"Voices of the Dawn - landscape, stars and stones" - a talk by Anthony Murphy to Mythic Links in Dublin

I will be giving a talk in Dublin on Thursday 27th October. I will be a guest of the Mythic Links group and will be showing lots of photographs (some of them not seen here on the blog) and indeed talking about the myths, monuments and astronomy.

The talk will feature photographs of the megalithic and sacred sites of the Boyne Region (and a couple of others) and the talk will focus on various aspects of the sites, including the mythology, symbolism, alignments, astronomy and archaeology of each. I will be showing pictures not yet seen on the blog or any of my social media sites. There will be lots of photos in particular from Newgrange, Knowth, Dowth, Fourknocks, Hill of Tara and Loughcrew.

Here are the details from Mythic Links:
SPEAKER: Anthony MURPHY – Author & Photographer - Creator of mythicalireland.com – New Light on the Ancient past- An illustrated talk
Anthony’s books include: ‘NEWGRANGE: Monument to Immortality’, “The Cry of the Sebac“; and “Island of the Setting Sun” by Anthony Murphy & Richard Moore.

VENUE: United Arts Club, 3 Upper FITZWILLIAM St., Dublin 2
TIME:Register 7.15 pm-Please arrive early-places limited [starts 7.30pm]
ADMISSION: €10 [ donation towards venue & overheads ]
PARKING Free from 7pm
Tea, Coffee & Bar available in the Club before & after the event.


http://www.mythiclinks.com/
http://www.mythicalireland.com/

Welcome to Fourknocks! - a quick tour of ancient megalithic monument in photographs and video

A wide-angle view of Fourknocks from the northeast. It was excavated and restored in the 1950s.

Fourknocks is a small megalithic passage-tomb on a ridge in southeastern County Meath, about 9 miles (14.7km) miles from Newgrange. The passage of Newgrange actually points towards Fourknocks, although neither site can be seen from the other due to intervening hills. There were two mounds excavated at Fourknocks by archaeologist P.J. Hartnett in the 1950s - this one, labelled Fourknocks I, and a nearby mound known as Fourknocks II. The latter was found to contain a cremation trench, where it is thought the remains of the deceased were cremated before being placed in Fourknocks I. This is a small selection of photos and a video from Fourknocks I, showing several of its features.

The short passage leading into a large, egg-shaped chamber with three recesses.

The entrance lintel stone has been placed on its side in the chamber for protection.

The western or right-hand recess. It is the largest recess and has a small plinth stone within.

A view towards the entrance, showing the lintel (left) and the "guardian" stone (right) illuminated.

Zig-zag carvings on a lintel above the interior of the passage. Their meaning is not known.

Concentric circles on another stone near the passageway. The stone is known only as Stone B.

Honouring the ancestors at Fourknocks.

A faded spiral on Stone B.

Lozenges and zig-zags on the lintel of the southern (end) recess.

Don't forget to watch this short video from inside Fouknocks. It gives a brief idea of the size of the monument and some of the features inside.

Only the guardian of Fourknocks knows its true name

Inside the ancient stone chamber of Fourknocks, a seemingly small yet very impressive monument of the late Neolithic, there are a number of intricately carved stones, some pristinely preserved.

The lintel stone above the western recess at Fourknocks.

The modern visitor is able to see, at close quarters, the careful work of Neolithic artists, people who lived and died in a remote age, when only the most basic technologies were afforded use by human hands. At Fourknocks, the lozenge (diamond) and the zigzag predominate. The angular manifestation of the glyphs is curious. There is one stone, above the passage, bearing concentric circles, and another - the original entrance lintel - bearing a rough spiral, among other curious designs. Most of the other decorated stones are devoid of curvature, containing the distinct angles of diagonal and serrated patterns.

The stones of Fourknocks demand from us an answer, an answer to an unanswerable riddle - why is the spiral, so predominant at Brug na Bóinne, almost absent from this wondrous little passage-tomb, and why do the angles predominate? We can only answer the question with a question:

Who can know?

I have a theory. But that's all it is - a theory. Unfortunately, we cannot travel back in time to speak with the artists of the New Stone Age, whoever they were - farmers, astronomers, poets, priests or magicians. So we have to make do with our own speculations, and our own vivid imaginations. My theory is that the absence of the spiral is directly connected with the absence of the sun. No sun can shine into Fourknocks. Its passageway points to a place in the far north, some 15 degrees (approximately) east of north. No sun can enter into its cold interior. Fourknocks, whatever its other purposes might have been, was definitely not a solar observatory; not in its own right at least. (There are other mounds in the district, and who knows what secretly oriented chambers they might contain?)

The spiral is a convenient and potent symbol representing solar movement. Over the course of the year, the sun appears to wind a series of contracting and expanding spirals in the sky. At Newgrange, the great entrance stone, facing the sunrises on winter solstice, is adorned impressively with huge spirals, one of which appears to end in a line that seems to point in towards the entrance to the cave, perhaps beckoning the sun to "enter in here".

The "guardian" stone of Fourknocks, said to represent a human face.

There is no such theatrical meandering spiral at Fourknocks. Here, we see zigzag lines and diamonds, almost exclusively. Almost. There is one stone that stands out above all others. It is one of the chamber orthostats, positioned just to the right of the passageway as one looks out from the chamber. It is said, by some, to be a crude representation of the human face. Not having access to the artist, or the instruction manual from which he or she was working when they carved it, I can neither agree nor disagree with this contention. There are more angles, and diamonds, and curves. If it's a face, it's a strange one. And yet I find myself drawn to the idea that it is a type of "guardian" stone, if such a concept even existed when these structures were built 5,000 years ago. There is a stone in the western passage of Knowth that has been said, by some, to represent some type of guardian. It has an almost owl-like presence - the owl being the Cailleach of the night, its call often attributed to the Bean Sídhe, the woman who cries out before death. As a place of burial, Fourknocks might have needed just such a presence - a woman of the sídhe to watch over as the souls of the deceased crossed over from this world to the next.

Fourknocks is indeed a sad place. When it was excavated in the 1950s by P.J. Hartnett, the remains of at least 21 children were found, along with burnt and unburnt remains of adults. By the time its period of use was coming to an end, the entrance passage had been filled almost to the top with material, with three separate layers or deposits of human remains. The passage was deliberately blocked up. It was intended that Fourknocks be sealed off. And so it was . . . until the 1950s.

It is a sad fact that all of the burials/deposits were removed during the excavation. There is a sense that the monument has lost an aspect of its sacredness, that the final resting place of so many people would later be stripped out so that nothing of the burials remains.

In being sealed up, Fourknocks shares a history similar to that of Newgrange (which points towards it, incidentally). Archaeologists maintain that Newgrange was sealed for the best part of 4,000 years, until Charles Campbell and his labourers rediscovered the passage entrance in 1699. Fourknocks lay concealed in the landscape for a long time. Because it likely did not have a stone vaulted roof and thus it didn't have a large cairn covering it, it was lost to time. The name Fourknocks is said to be derived from the Irish na fuarchnoic, meaning "the cold hills". But I don't buy it. It doesn't "feel" like an authentic name for a complex of ancient monuments. And this I think its real name has been lost to time. Local historian Brendan Matthews once proposed to me the possibility that Fourknocks was derived from the "four cnocs", meaning the four cnocs or artificial mounds. That seems more plausible to me than the cold hills.

The proximity of Fourknocks to Clonalvy tempts me into looking for a link there. Clonalvy is from Cluain Ailbhe, the meadow of Ailbhe, whoever she might have been. It might also be connected with the Delvin River (Ailbine). I am curious about the mention of a possiblity that Clonalvy was the location of a monument called Lia Ailbhe, a huge standing stone described as the "chief monument of Brega", until it fell in 999 and was broken into four millstones by Máelaschlainn, the high king. That seems like an avenue worthy of research . . . for there is something that has been nagging away at me for years that is telling me to find out the real ancient name of Fourknocks.

Perhaps only the guardian of Fourknocks knows its real name?


(I will deal with some aspects of the angular art and connections to the cosmos in another post).

An investigation of the alignment of the passage of Fourknocks passage-tomb

Several years ago I wrote about the Cygnus Enigma and the apparent orientation of Newgrange towards Fourknocks and the orientation of Fourknocks towards a place on the horizon where the brightest star of the swan constellation (Cygnus) would have been rising after its brief glance with the horizon towards the north. Recently I've been looking at this alignment system in more detail, and that study has yielded more interesting results and fascinating possibilities.

SUMMARY

A plan of Fourknocks.

I will summarise what's been written already, before going into new detail. In a nutshell, Newgrange points towards Fourknocks, although neither site is visible from the other. Fourknocks lies about 15km (approx. 9 miles) to the southeast of Newgrange. There are two intervening hills that block the intervisibility of the sites - Red Mountain and Bellewstown. Fourknocks lies at approximately 137.95 degrees of azimuth from Newgrange, according to Google Earth. This would place it on the edge of the range of azimuths covered by the Newgrange solstice alignment, which, according to Patrick (1974) were 133° 42' to 138° 24', while Ray (1989) says the range is 133° 49' to 137° 29'. The best way to try to visualise this is that as the sunlight is retreating from the chamber of Newgrange at solstice, the sun is directly above Fourknocks.

Fourknocks, in turn, has a passage that is aligned to approximately 14° azimuth, in the far northeast. Richard Moore and I had suggested that Fourknocks is aligned in the direction of the Baltray standing stones on the northern side of the Boyne Estuary (Island of the Setting Sun, 2006) and that the two stones lined up to point back towards Fourknocks, even though neither site was visible from the other.

New discoveries

It is this alignment – the axis of the Fourknocks alignment – that has yielded fascinating new information.

Sitting on the sill stone of the rear recess of the Fourknocks chamber, looking out through the passageway to the far horizon, one is looking at a hill towards the north-northeast called Mullaghteelin. Near the summit of Mullaghteelin, directly on the alignment as viewed from Fourknocks, is a barrow (ME027-034----), probably dating to the Bronze Age.

The photograph on right shows the view out through the passage, with Mullaghteelin barrow indicated on the horizon.

Using a map, or better still Google Earth, the alignment can be seen to continue through Donacarney village before crossing the Boyne river and pointing towards the Baltray standing stones. This is where Google Earth has real value in the investigation of long ley lines or straight track alignments. Zooming in on Baltray, we see that both stones are situated on the axis of this alignment from Fourknocks:

The two stones are circled in red - the larger stone has a bigger circle around it. We didn't have this wonderful program when we wrote Island of the Setting Sun in 2006, but it's wonderful to see how accurate the alignment really is. Whether this alignment was created intentionally is an entirely different matter, but one wonders, given the existence of several long-distance alignments of ancient monuments, if indeed the ancients had skills beyond which we give them credit for.

Stones

Here's where it gets really interesting. If you continue the line from Fourknocks beyond Baltray standing stones, you will find that it eventually hits the shoreline on the Irish Sea coast at Clogherhead. It then travels across Dundalk Bay and eventually meets the shoreline of a stony beach on the southern shore of the Cooley peninsula at Rathcor/Templetown. Both of these shores –  Clogherhead and Rathcor/Templetown – were locations where stone for Newgrange was sourced.

Clogherhead (above) was the source of the greywacke slabs that were used as kerbstones, passage orthostats and large structural stones in the chamber of Newgrange. An estimated 200 of these rocks, weighing on average three tonnes apiece, were brought from the shoreline at Clogherhead by boat down along the Irish Sea and up the river Boyne to Brú na Bóinne. For more about the transportation of these greywacke slabs, see Newgrange - Monument to Immortality.

Rathcor and Templetown beaches are littered with rocks of all different types and sizes. Most interesting of these are the granite cobbles which, it is said, were brought from this area to Newgrange to be placed among the white quartz stones that decorate the front of the monument. Again, these would have been transported by sea, across Dundalk Bay, around Clogherhead and then up the Boyne.

So, whether by accident or design, the Fourknocks passage points towards two of the three locations from which it is said that stone was sourced for the construction of Newgrange.

There's more ...

Just for the sake of it, I looked at the alignment in the opposite direction, south-southwest from Fourknocks. Interestingly, it points towards the Blessington Lakes in Co. Wicklow, some 30 miles or 50 kilometres distant approximately. Now this really is a stretch of the imagination, I'll readily admit, but we've all been told that Wicklow is the likely source of the milky quartz at Newgrange, although the exact location or quarry from which it was extracted has never been found. I've heard it suggested that Blessington is a possible source. It could have been transported from that area by barge down the Liffey River into the Irish Sea and from there up to the Boyne.

If the Blessington area turned out to be the source of the Newgrange quartz (and it's by no means anything other than a possibility at this point in time), then the Fourknocks alignment would "point to" all of the major sources of stone for the construction of Newgrange - the greywacke from Clogherhead, the granite cobbles from Cooley and the quartz stones from Wicklow. As it stands, we can say that Fourknocks definitely does point to two areas from which stone was sourced. The third remains an unknown, but Blessington is a possibility.

More recently, Rockabill islands off the coast of Dublin have been suggested as a possible source of the milky quartz at Newgrange. This is equally interesting, because the larger of the two standing stones at Baltray points towards Rockabill for winter solstice sunrise.

Just to finish, the Fourknocks alignment also points to a peak called Eagle Mountain in the Mourne Mountains in the far distance, which are easily visible from Fourknocks on a clear day. I'm not sure if there's any particular significance to this peak to tie in with the alignment. Geologists have told us that the cobble stones from Rathcor/Templetown have their origin in the Mournes. It has recently been revealed that an x-ray study of the granite cobbles of Newgrange is to be undertaken to ascertain their precise original source. Read more here.