Showing posts with label writer. Show all posts
Showing posts with label writer. Show all posts

Friday, 21 October 2016

'Newgrange - Monument to Immortality' is out of print, but the good news is it's being reprinted for November

Newgrange Monument to Immortality.
Some very significant news (and opportunities hopefully) on the publications front. My book Newgrange: Monument to Immortality has sold out. This is very positive news and shows how popular this work has been as an alternative avenue into exploring Ireland's most precious ancient treasure. The even better news is that I've just spoken to The Liffey Press and they're going to do a second print run, which should hopefully be available some time in November.

This is the second time one of my books went out of print. Island of the Setting Sun (with co-author Richard Moore) sold out in just 12 months after its initial publication in 2006, and was revised and expanded and republished in early 2008. HOWEVER, Island of the Setting Sun also recently sold out (again), and in this case it is not being republished by The Liffey Press. So I will be seeking an alternative publisher as I believe this book will continue to sell for years to come.

On the fiction front, my novella Land of the Ever-Living Ones is almost out of print and although it is available for Amazon Kindle, I would like to have it reprinted in hard copy format. This simple story of a lovely dialogue between a young boy and a wise sean-draoi (old druid) set in ancient Ireland has proven very popular and has received some very positive reviews. Here's one from Amazon.com:
Having read Anthony's excellent non-fiction titles, I was enthusiastic about his foray into fiction. What a treasure! I smiled, laughed, thoughtfully let tears run down my cheeks and didn't want it to end! Sometimes I felt myself telling the story of the seandroi, others I was the young, rapt listener and throughout felt that this is how history is supposed to be conveyed. My wife and I rarely like to read the same genre but I had to share this with her and she loved it too! Anthony, please publish in hardcover so this wonderful gift can be passed on and on!
Anthony Murphy's books - non-fiction (left) and fiction (right).

Further to all this, my first full novel, The Cry of the Sebac, has not yet been published in hard copy format, although it is available on Amazon Kindle. I would LOVE to see this book in print and believe it has a very strong message for today's world from the myths and megaliths of ancient Ireland. Here's a brief summary of The Cry of the Sebac:
One boy can be more powerful than an army.
A boy meets a mysterious talking bird, a floating hawk who claims to have lived forever. Guided by the bird, he glimpses his own destiny. He alone must save mankind from rushing over the precipice to his doom. The boy will have to prevent an apocalypse. But how? The bird, who calls himself the Sebac Gaoth (Hawk on the Wind), takes him on an extraordinary journey through mind and space to meet the Tuatha Dé Danann, those who are foretold to come to the aid of man for a battle to save the world. In the process of revelation, the boy helps the Sebac to realise something of his own origins and destiny.

On top of all of the above, I am continuing research into another work of non-fiction, which will be based on some of the most ancient myths of Ireland, offering new insights and tracing the creation and origin myths of this ancient island. I'm hoping to make progress on this book during the coming winter, all going well.

Click on the video below so see footage from the launch of Land of the Ever-Living Ones in 2013:



Links:
Newgrange: Monument to Immortality - Amazon reviews
Land of the Ever-Living Ones: Amazon reviews
Island of the Setting Sun: Amazon reviews

Saturday, 2 May 2015

The writing continues. Always, the writing continues

As long as I can remember, I've been writing. While it's true that all children learn to write from a young age anyway, I think I developed a love for it from the moment I first picked up a pencil. Not content with handwriting as a means of putting words down on paper, I soon developed a love of typing. And all this before the arrival of the modern home computer. In those pre-computer days (it's difficult to believe how much has changed in the last three or four decades), I used my father's mechanical typewriter. That was difficult, because my skinny, youthful fingers did not have the strength to depress the keys, so I developed a two-fingered approach, banging away at the keys with my left and right forefingers. This might sound like a slow method of writing - slower perhaps even than handwriting - but I soon became quite proficient at two-finger typing.

My dad had one of these cool typewriters - the Olivetti
Valentine. It's what I learned to type on.
Years later, I still have some of the typed sheets from my childhood. I wrote about different things, but in my tender years, with my age still in single digits, I mostly wrote about the stars and the sky. Even then, I couldn't make up my mind whether I wanted to write fiction or non-fiction, so I wrote both. My first foray into the world of publishing came while I was about 11 years old. I started writing a column called 'Skywatch' for the Spectrum magazine, a monthly publication included with the Drogheda Independent newspaper, which was at that time edited by my father, Paul. He was editor of the Drogheda Independent from 1985 until the end of 2001. He is now 71 and still writing for a newspaper. Needless to say, when it came to writing, I didn't lick it up off a stone.

Eventually the computers came. The typewriters disappeared and a new revolution came. I began working as a reporter for the Drogheda Independent in 1994. The internet eventually arrived, and the personal computer also progressed in leaps and bounds. (Anyone remember Windows 3.1.1? Or the dreaded Windows 95?) The computer keyboards allowed me to develop a variant of touch typing. I started using more fingers to type. Consequently, because I was typing every day, I became quite adept. I learned to type without looking at the keyboard. Apparently in those days it was considered quite a skill. My kids now comment about it. "Dad, I can't believe you can type so fast without looking at the keyboard." I tell them that if they type often enough, they will eventually develop this skill. Who knows how many words I've written in my life so far? It has to be several millions. It could be several tens of millions. I really don't know.

Despite the fact that I have spent a lifetime writing - sometimes professionally, sometimes as a hobby, sometimes as an author - I am acutely aware that the transition from pen and paper (or typewriter and paper) to computer is not all positive. Despite our technological advances, we must admit that computer storage not a permanent medium. There are lots of articles online about this very fact. If you want to safeguard your writing, you should make sure to print everything you write. It's the same with photos. If you want to save them for future generations, make sure you get good prints made. Hard disk drives are prone to failure. Very prone. Storage media including CDs and DVDs have a finite lifespan. It's important to preserve your work - if indeed you or anyone around you deems it worthy of preservation.

A case in point is my first book, 'Island of the Setting Sun - In Search of Ireland's Ancient Astronomers', which I wrote in conjunction with my good friend Richard Moore. I did all the writing, on an Acer laptop. Now I still have that laptop, but it stopped working a long time ago. The motherboard failed. I was able to rescue the hard drive, but even that has failed in the interim. Now, it's not a big crisis because the book was published. Thankfully. But my point is that, without a printed book or even a draft printed manuscript, the book that I laboured over for years would be lost to time.

Writing as I have done about ancient stone monuments like Newgrange, the thought has often struck me that perhaps the single best way to preserve writing so that it might potentially survive for centuries and millennia into the future is to carve it into stone!

In the autumn of 2014, I began writing my latest book - a novel. I was concerned about the fact that at the age of 40, I was perhaps letting time slip by too quickly without being productive as a writer. It's important that the writing continues. The writing must continue, always. Most of it will never see the light of day, and that's OK. So long as the art is being practiced. If even a small percentage of it gets published, that will be good enough.

I work in Dublin. I have to commute to and from Drogheda. I have a very busy life outside of work, what with my involvement in the brass band, in amateur radio, in photography and in so many other things, not least my young family. It wasn't practical for me to bring a laptop everywhere so that I could write in whatever spare time I could find. So I took a decision. I was going to bring a notebook with me at all times. This would serve two purposes.

A collection of some of the notebooks I've been using.
Firstly, it would allow me to write at times when it might not be otherwise practical to whip out a laptop and start typing away. So, for instance, I found myself writing on the way to work in my brother's car in the mornings. We car-pool, so he drives one day, and I drive the next. I could get several hundred words written on the morning commute. Then I wrote at lunchtime. Some days, I would sit in the car in the car park at work and scribble away to my heart's content. Sometimes, I could go up to the Grand Canal and sit on one of the locks and write away. Occasionally I would drive to the Phoenix Park at lunchtime and sit in the car up there, scrawling in my notebook.

The second purpose of the notebook, though, and a very important one, is to ensure that something of my writing survives in case none of it ever gets published. And not just my words, but my actual handwriting. If all the computers I ever use eventually break down, which they inevitably will, I will have to be very careful to ensure that everything I write on a computer is printed down and saved in multiple places. Having a notebook with my handwritten text in it is nicer than having any printout from a computer.

I've been more careful lately to select notebooks with a hard cover on them. For years I wrote on reporter's notebooks, those tall spiral notebooks with either 80 or 160 pages in them. But they get damaged over time. Since I started writing the novel last August, I've been buying hardback notebooks of different shapes and sizes and doing my best to keep up the habit of writing.

The novel is finished now. It's a short novel at 55,000 words, but it was written in small snatches of spare time in the mornings and at lunchtime and in the evenings. At night, when the kids were in bed, I would sit here on the computer and type all that day's writing into a document on the computer. I could do that relatively quickly, because I'm a fast typist. It was a win-win situation. I got to preserve the original handwritten novel in different notebooks, but I also had a manuscript on computer, which could be easily edited and styled for presentation to publishers. And the process of typing from my handwritten words enabled me to edit and proofread, another important step in helping to perfect the work.

I finished writing the new novel in the first week of January, but I have kept up the habit of writing ever since. I try to write every day. Sometimes it consists of nothing more than ramblings about the day - like a journal. But sometimes it's deep and meaningful. The important thing is that I'm doing what I was born to do, even if the only one who sees most of it is myself. It's a great habit to be in. I can truly say that I am a writer, even if I'm not yet making a living from it.

Today, I bought myself a nice B6-size softcover notebook with cream pages. It's like a moleskine notebook, but not as expensive. I wanted something nice to write on. I'm hoping it will encourage my next book to flow from the pen........