Painting with light: the three most highly decorated kerb stones at Newgrange in gorgeous detail

To celebrate the fact that the Mythical Ireland Facebook page has just passed 30,000 likes, I am revealing these three images of the most decorated kerb stones at Síd in Broga (Newgrange). The photos were taken in the pre-dawn twilight around winter solstice, with the kind permission of the Office of Public Works (OPW). In order to capture these stones in a way that has probably never been seen before, I used an old technique called "painting with light".

Kerb stone 52 at Newgrange, which is diametrically opposite the entrance kerb stone, K1.

My favourite of the three is the above photo of kerb 52 (K52), which can be found at the very rear of the mound, diametrically opposite the entrance kerb stone (K1). I'd only ever previously been able to photograph this stone in daylight. And while I have a couple of nice photos of it, I always longed to use the painting with light technique on it. The image was captured by putting the camera on a tripod and keeping the shutter open for about 15 seconds. During this time, I was "painting" the stone with light using a small LED torch, first from the right and then from the left. The result is an image that I've been waiting for years to achieve. I hope you like it. I have speculated that it contains representations of stars we know today as Orion's Belt and Sirius. At the time of the construction of Newgrange, Sirius was visible from its interior chamber as it transited the roof box.

Spirals on the entrance kerb stone at Newgrange, kerb 1 (K1).

The entrance kerb stone at Newgrange is one of the most famous artefacts from the ancient world, and its design has been photographed perhaps millions of times over the decades. One of the OPW guides at Newgrange regularly tells visitors that "it's the most photographed stone in the world, after Mick Jagger"! Sometimes, especially in midwinter, the evening sunlight catches this stone so that it is illuminated at a very shallow angle, which is the perfect angle for bringing out the relief. I have in previous years been able to get a nice photo using remote flash to achieve the same result. However, I still think that the above image, painted with light during dark twilight, is better than anything I would have achieved during the day.

Kerb stone 67 with its double spiral, triangles and lozenges.

The other of the three most decorated kerb stones at Newgrange, and perhaps the least famous, is this one, kerb 67. It is remarkable that of the 97 huge greywackle slabs that form the kerb around Newgrange, only three are highly decorated. There are carvings on plenty of others, but K1, K52 and K67 are the only stones that feature designs over most of their visible surface. Fascinatingly, there are some stones that are decorated on their rear side, where the carvings cannot be seen.

Several views of the Seven Suns stone

On Saturday last, the eve of Summer Solstice, my son Luke and I headed out into the Boyne Valley in the hope of getting a photo of the triple conjunction of Venus, Jupiter and the Moon at Newgrange. Unfortunately after the sun set a bank of cloud rolled in, obscuring the triplet before we could get any decent photos. Not to waste an opportunity for a photograph (I rarely do!), we headed to nearby Dowth, where I decided to play around with torches and flashes using my favourite stone-lighting technique – painting with light. You might have seen a previous post from the same night here.

The stone above is famously known as the Stone of the Seven Suns. It was so named by Martin Brennan, an artist and writer who made several significant discoveries about ancient astronomical alignments in Ireland. There are several theories as to what this stone might mean. It is one of just a few stones that are completely exposed. Many of Dowth's 115 kerb stones still lie either partly or totally concealed beneath the earth and vegetation.

I tried to use torchlight and flashlight to illuminate the stone from different angles to show as much of the art as possible. These carvings were made as long ago as 3,300BC and maybe even earlier. In certain lighting conditions, this stone can appear quite flat and the carvings don't stand out. The best time to see it is coming up to midday, with the sun lighting it from the side. Otherwise, a long exposure photograph with a light source from the side, or above, helps to show up the markings very well.

Dowth and its sycamore tree like you've never seen them!

The huge sycamore tree growing out of the side of Dowth mound is one of its endearing aspects in my opinion. Dowth is now the only one of the three great mounds (Newgrange and Knowth are the others) that has not been "spoiled" by a modern redecoration. One of my favourite aspects of photography is a technique called "painting with light", and I can often be found in the countryside firing flashes and illuminating torches at monuments and other features. Of course, one of the challenges of the techniques used above is that one has to operate the camera - and one also has to illuminate the subject. In the first and second images, the camera fired while I was remote from it, shining a torch up at the tree. Thankfully on this occasion I had the assistance of my good friend, Richard Moore.